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The photograph on the front of this book is, in a way, a double symbol. Firstly, it presents the Lvovian philosophical milieu around 1925 when its three main figures were Kazimierz Twardowski, Kazimierz Ajdukiewicz, and Roman Ingarden. Secondly, it reflects the tension between the two approaches to philosophy referred to in the title: “Intuition and Analysis.” The central item of the photograph is...