William Harrison Ainsworth

A Night’s Adventure in Rome

Warsaw 2022

Contents

I. SANTA MARIA MAGGIORE

II. THE MARCHESA

I. SANTA MARIA MAGGIORE

CHANCING to be in Rome in the August of 1830, I visited the gorgeous church of Santa Maria Maggiore during the celebration of the anniversary of the Holy Assumption.

It was a glorious sight to one unaccustomed to the imposing religious ceremonials of the Romish church, to witness all the pomp and splendour displayed at this high solemnity–to gaze down that glittering pile, and mark the various ecclesiastical dignitaries, each in their peculiar and characteristic costume, employed in the ministration of their sacred functions, and surrounded by a wide semicircle of the papal guards, so stationed to keep back the crowd, and who, with their showy scarlet attire and tall halberds, looked like the martial figures we see in the sketches of Callot. Nor was the brilliant effect of this picture diminished by the sumptuous framework in which it was set. Overhead flamed a roof resplendent with burnished gold; before me rose a canopy supported by pillars of porphyry, and shining with many-coloured stones; while on either hand were chapels devoted to some noble house, and boasting each the marble memorial of a pope. Melodious masses proper to the service were ever and anon chanted by the papal choir, and overpowering perfume was diffused around by a hundred censers.

Subdued by the odours, the music, and the spectacle, I sank into a state of dreamy enthusiasm, during a continuance of which I almost fancied myself a convert to the faith of Rome, and surrendered myself unreflectingly to an admiration of its errors. As I gazed among the surrounding crowd, the sight of so many prostrate figures, all in attitudes of deepest devotion, satisfied me of the profound religious impression of the ceremonial. As elsewhere; this feeling was not universal; and, as elsewhere, likewise, more zeal was exhibited by the lower than the higher classes of society; and I occasionally noted amongst the latter the glitter of an eye or the flutter of a bosom, not altogether agitated; I suspect; by holy aspirations. Yet me thought, on the whole, I had never seen such abandonment of soul, such prostration of spirit, in my own colder clime, and during the exercise of my own more chastened creed, as that which in several instances I now beheld; and I almost envied the poor maiden near me, who, abject upon the earth, had washed away her sorrows, and perhaps her sins, in contrite tears.

As such thoughts swept through my mind, I felt a pleasure in singling out particular figures and groups which interested me, from their peculiarity of costume, or from their devotional fervour. Amongst others, a little to my left, I remarked a band of mountaineers from Calabria, for such I judged them to be from their wild and picturesque garb. Deeply was every individual of this little knot of peasantry impressed by the ceremonial. Every eye was humbly cast down; every knee bent; every hand was either occupied in grasping the little crucifix suspended from its owner’s neck, in telling the beads of his rosary, or fervently crossed upon his bare and swarthy breast.

While gazing upon this group, I chanced upon an individual whom I had not hitherto noticed; and who now irresistibly attracted my attention. Though a little removed from the Calabrian mountaineers, and reclining against the marble walls of the church, he evidently belonged to the same company; at least, so his attire seemed to indicate, though the noble cast of his countenance was far superior to that of his comrades. He was an old man, with a face of the fine antique Roman stamp–a bold outline of prominent nose, rugged and imperious brow, and proudly-cut chin. His head and chin, as well as his naked breast, were frosted over with the snowy honours of many winters, and their hoar appearance contrasted strikingly with the tawny hue of a skin almost as dark and as lustrous as polished oak. Peasant as he was, there was something of grandeur and majesty in this old man’s demeanour and physiognomy. His head declined backwards, so as completely to expose his long and muscular throat. His arms hung listlessly by his side; one hand drooped upon the pavement, the other was placed within his breast: his eyes were closed. The old man’s garb was of the coarsest fabric; he wore little beyond a shirt, a loose vest, a sort of sheep-skin cloak, and canvas leggings bound around with leathern thongs. His appearance, however, was above his condition; he became his rags as proudly as a prince would have become his ermined robe.

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