R. Austin Freeman

The Singing Bone

Warsaw 2022

Contents

PREFACE

I. THE CASE OF OSCAR BRODSKI

PART I. THE MECHANISM OF CRIME

PART II. THE MECHANISM OF DETECTION

II. A CASE OF PREMEDITATION

PART I. THE ELIMINATION OF MR. PRATT

PART II. RIVAL SLEUTH-HOUNDS

III. THE ECHO OF A MUTINY

PART I. DEATH ON THE GIRDLER

PART II. “THE SINGING BONE”

IV. A WASTREL’S ROMANCE

PART I. THE SPINSTERS’ GUEST

PART II. MUNERA PULVERIS

V. THE OLD LAG

PART I. THE CHANGED IMMUTABLE

PART II. THE SHIP OF THE DESERT

PREFACE

THE peculiar construction of the first four stories in the present collection will probably strike both reader and critic and seem to call for some explanation, which I accordingly proceed to supply.

In the conventional “detective story” the interest is made to focus on the question, “Who did it?” The identity of the criminal is a secret that is jealously guarded up to the very end of the book, and its disclosure forms the final climax.

This I have always regarded as somewhat of a mistake. In real life, the identity of the criminal is a question of supreme importance for practical reasons; but in fiction, where no such reasons exist, I conceive the interest of the reader to be engaged chiefly by the demonstration of unexpected consequences of simple actions, of unsuspected causal connections, and by the evolution of an ordered train of evidence from a mass of facts apparently incoherent and unrelated. The reader’s curiosity is concerned not so much with the question “Who did it?” as with the question “How was the discovery achieved?” That is to say, the ingenious reader is interested more in the intermediate action than in the ultimate result.

The offer by a popular author of a prize to the reader who should identify the criminal in a certain “detective story,” exhibiting as it did the opposite view, suggested to me an interesting question.

Would it be possible to write a detective story in which from the outset the reader was taken entirely into the author’s confidence, was made an actual witness of the crime and furnished with every fact that could possibly be used in its detection? Would there be any story left when the reader had all the facts? I believed that there would; and as an experiment to test the justice of my belief, I wrote “The Case of Oscar Brodski.” Here the usual conditions are reversed; the reader knows everything, the detective knows nothing, and the interest focuses on the unexpected significance of trivial circumstances.

By excellent judges on both sides of the Atlantic–including the editor of “Pearson’s Magazine’–this story was so far approved of that I was invited to produce others of the same type.

Three more were written and are here included together with one of the more orthodox characters, so that the reader can judge of the respective merits of the two methods of narration.

Nautical readers will observe that I have taken the liberty (for obvious reasons connected with the law of libel) of planting a screw-pile lighthouse on the Girdler Sand in place of the light-vessel. I mention the matter to forestall criticism and save readers the trouble of writing to point out the error.

R. A. F, Gravesend

I. THE CASE OF OSCAR BRODSKI

PART I. THE MECHANISM OF CRIME

A SURPRISING amount of nonsense has been talked about conscience. On the one hand remorse (or the “again-bite,” as certain scholars of ultra-Teutonic leanings would prefer to call it); on the other hand “an easy conscience”: these have been accepted as the determining factors of happiness or the reverse.

Of course there is an element of truth in the “easy conscience” view, but it begs the whole question. A particularly hardy conscience may be quite easy under the most unfavourable conditions–conditions in which the more feeble conscience might be severely afflicted with the “again-bite.” And, then, it seems to be the fact that some fortunate persons have no conscience at all; a negative gift that raises them above the mental vicissitudes of the common herd of humanity.

Now, Silas Hickler was a case in point. No one, looking into his cheerful, round face, beaming with benevolence and wreathed in perpetual smiles, would have imagined him to be a criminal. Least of all, his worthy, high-church housekeeper, who was a witness to his unvarying amiability, who constantly heard him carolling light-heartedly about the house and noted his appreciative zest at meal-times.

Yet it is a fact that Silas earned his modest, though comfortable, income by the gentle art of burglary. A precarious trade and risky withal, yet not so very hazardous if pursued with judgment and moderation. And Silas was eminently a man of judgment. He worked invariably alone. He kept his own counsel. No confederate had he to turn King’s Evidence at a pinch; no one he knew would bounce off in a fit of temper to Scotland Yard. Nor was he greedy and thriftless, as most criminals are. His “scoops” were few and far between, carefully planned, secretly executed, and the proceeds judiciously invested in “weekly property.”

In early life Silas had been connected with the diamond industry, and he still did a little rather irregular dealing. In the trade he was suspected of transactions with I.D.B."s, and one or two indiscreet dealers had gone so far as to whisper the ominous word “fence.” But Silas smiled a benevolent smile and went his way. He knew what he knew, and his clients in Amsterdam were not inquisitive.

Such was Silas Hickler. As he strolled round his garden in the dusk of an October evening, he seemed the very type of modest, middle-class prosperity. He was dressed in the travelling suit that he wore on his little continental trips; his bag was packed and stood in readiness on the sitting-room sofa. A parcel of diamonds (purchased honestly, though without impertinent questions, at Southampton) was in the inside pocket of his waistcoat, and another more valuable parcel was stowed in a cavity in the heel of his right boot. In an hour and a half it would be time for him to set out to catch the boat train at the junction; meanwhile there was nothing to do but to stroll round the fading garden and consider how he should invest the proceeds of the impending deal. His housekeeper had gone over to Welham for the week’s shopping, and would probably not be back until eleven o’clock. He was alone in the premises and just a trifle dull.

He was about to turn into the house when his ear caught the sound of footsteps on the unmade road that passed the end of the garden. He paused and listened. There was no other dwelling near, and the road led nowhere, fading away into the waste land beyond the house. Could this be a visitor? It seemed unlikely, for visitors were few at Silas Hickler’s house. Meanwhile the footsteps continued to approach, ringing out with increasing loudness on the hard, stony path.

Silas strolled down to the gate, and, leaning on it, looked out with some curiosity. Presently a glow of light showed him the face of a man, apparently lighting his pipe; then a dim figure detached itself from the enveloping gloom, advanced towards him and halted opposite the garden. The stranger removed a cigarette from his mouth and, blowing out a cloud of smoke, asked–

“Can you tell me if this road will take me to Badsham Junction?”

“No,” replied Hickler, “but there is a footpath farther on that leads to the station.”

“Footpath!” growled the stranger. “I’ve had enough of footpaths. I came down from town to Catley intending to walk across to the junction. I started along the road, and then some fool directed me to a short cut, with the result that I have been blundering about in the dark for the last half-hour. My sight isn’t very good, you know,” he added.

“What train do you want to catch?” asked Hickler.

“Seven fifty-eight,” was the reply.

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