Gerald R. Schmidt

THE ALCHEMIST’S CROWN

© Gerald R. Schmidt, 2026

Alternate 1573 Poland-Lithuania, King Sigismund II falls under spell of alchemist Heinrich von Paracelsus, draining treasury and issuing worthless „transmuted” coin. Only Royal Treasurer Chryzostom Tarnowski — haunted by his own youthful ruin by the same Basel fraudster — recognizes the con. With his gambler son, & Sigismund III the Catholic prince-heir, & Cardinal Radziwiłł, he races to expose the swindler before civil war and Habsburg invasion destroy the realm. Written with help of AI.

ISBN 978-83-8455-066-3

Książka powstała w inteligentnym systemie wydawniczym Ridero

Make no mistake: this book, and those to follow it, are works of fiction. I have attempted to make the depiction of history as accurate as possible, but where the facts were scant or non-existent at the time of writing, I invented them. Please do not go away thinking that because you read something in my book it must be true. I hope that you will check everything I say. Much of my historic data comes from sites that I visited on the Internet, so the data is as accurate as that.

It would add to your enjoyment to follow trips from one place to another. You can find the places mentioned on an Internet map of Poland, and on Google Earth.

The cover was designed by AI per minute instructions that I fed it. I solicited help from AI in writing the book, but by no means did it do all the work.

Prologue

Magnate [1]Chrysostom Tarnowski (born 1530) came from a powerful Polish noble family of the coat of arms Leliwa . The Tarnowskis had ties to the Jagiellon court through his father Jan Amor's earlier service as voyvode of the Kraków voyvodstvo (province). As a young man in his early twenties, he traveled westward in search of learning and fortune, arriving in the vibrant intellectual hub of Basel in January 1553. Basel in those years was a Protestant stronghold shaped by the Reformation's long shadow.

*

John Calvin had found a safe refuge there in January 1535 with the reformer Oswald Myconius, publishing there the first edition of his Institutes of the Christian Religion in March 1536 before moving on to Geneva. The city remained a center of Reformed thought, printing, and humanist scholarship, even as Calvin's influence radiated outward through his later commentaries, the Ecclesiastical Ordinances of 1541, and the strict moral discipline enforced by  the Consistory in Geneva.

*

Twenty-three year old Chrysostom Tarnowski reached Basel on January 1, 1553 (same day that Calvin issued his Commentary on John ) and the air was thick with theological fervor, mercantile ambition, and the lingering allure of the new learning — including alchemy and iatrochemistry . Chrysostom, ambitious and recently inheriting the enormous estate at Tarnów, and bearing a large sum of money that he had secretly borrowed from the Polish treasury through family influence, immersed himself in these circles. He studied not only theology and classical texts but also the “chemical arts,” drawn by promises that alchemy and iatochemistry could elevate soul, body and fortune in a Reformed world that valued unrestrained inquiry over medieval obedience.

The following are some events he was to experience in 1553.

January 1, 1553 . Calvin publishes his Commentary on John in Geneva and dedicates it to the syndics and City Council of Geneva.

January, 1553 . Michael Servetus's heretical book, Christianismi Restitutio , is secretly printed in Lyon, France; he is discovered, tried, and impressed by the Catholic Inquisition there.

February 16, 1553. Michael Servetus, while in Vienne, France, was denounced as a heretic by Guillaume de Trie (a rich merchant who had taken refuge in Geneva and who was a good friend of Calvin) in a letter sent to a cousin.

April 4, 1553 . Servetus was arrested by Catholic authorities and imprisoned in Vienne. He escapes his prison cell in Lyon and is drawn to Geneva “like a moth to light” to justify his theology before Calvin.

June 17, 1553. Servetus was conviction of heresy, "thanks to the 17 letters sent by John Calvin, preacher in Geneva" and sentenced to be burned with his books. In his absence, he and his books were burned in effigy (blank paper for the books).

July 30, 1553 . King Sigismund II marries 3rd wife Catherine of Austria in Kraków.

August 13, 1553 . Michael Servetus is recognized and arrested after attending public worship at St. Pierre Cathedral in Geneva.

September 3, 1553 . A crisis at the Lord's Supper is narrowly averted when Calvin steadfastly refuses to serve anyone who have been excommunicated.

October 24, 1553. The council that condemned Servetus was presided over by Ami Perrin (a Libertine [2]) who today sentenced Servetus to death by burning for denying the Trinity and infant baptism.

October 27, 1553 . After a lengthy trial by the City Council, Michael Servetus is found guilty of heresy and executed by burning atop a pyre of his own books at the Plateau of Champel at the edge of Geneva.

December 18, 1553 . Chrysostom Tarnowski leaves Basel, a reformed man. He has been swindled by von Paracelsus of his fortune, and of money that belonged to the Polish treasury. He is 23.

But I'm getting ahead of myself. It was in the above environment that Chrysostom encountered a charismatic young adept who called himself Heinrich von Paracelsus.

Heinrich von Paracelsus's Background

The man who presented himself as Heinrich von Paracelsus was born July 29, 1529 (making him roughly the same age as Chrysostom). He claimed distant kinship with the famous Swiss physician-alchemist Theophrastus Bombastus von Hohenheim (the historical Paracelsus, 1493–1541), who had briefly revolutionized medicine in Basel in 1527 before clashing with authorities and departments. The younger “von Paracelsus” cultivated this connection assiduously, adopting the name and blending the elder's real reputation for iatochemistry (chemical medicine), mercury-based remedies, and rejection of  Galenic tradition with bolder claims of true metallic transmutation.

Heinrich arrived in Basel in 1550 at age 21. He positioned himself as a bearer of the “true Paracelsian flame,” now purified and aligned with the Reformed faith that Calvin had helped establish in the region. He spoke fluently of the “Great Work” as a divine calling compatible with Protestant emphasis on freedom from authority, personal discipline, scriptural study, and the rejection of “popish” rituals. He attended lectures and disputations influenced by Calvin's circle, quoting the Institutes while arguing that alchemy and iatrochemistry, rightly practiced, revealed God's hidden order in nature — just as Calvin's Consistory sought to reveal moral order in the city.

Heinrich quickly gathered a following among restless young nobles and merchants, offering private demonstrations that mixed theatrical chemistry with pious language. He promised that the transmutation of base metals would fund godly causes and free the Reformed world from dependence on Catholic bankers or Habsburg gold.

Their Intertwined Paths in Basel, 1553

Chrysostom and Heinrich's lives collided in early 1553, the very year Michael Servetus's heretical Christianismi Restitutio was printed and its author burned in Geneva after arrest at St. Pierre Cathedral — an event that underscored the city's and region's intense religious tensions. Basel, though more moderate than Geneva, still buzzed with debates over orthodoxy, discipline, and the proper role of “new arts” in a Protestant commonwealth.

Chrysostom, eager to augment his family's and Poland's fortunes, invested heavily in Heinrich's promising experiments. He provided silver, laboratory space, and introductions to other Polish and Central European contacts. For months they worked side by side: Heinrich performing dramatic “calcinations” and “multiplications,” invoking Calvinist themes of divine election and the purification of the soul through trial, while Chrysostom kept meticulous (if unrealistically optimistic) records.

Early in their acquaintanceship Paracelsus convinced Chrysostom that he needed to go through calcination. Here is what happened.

The laboratory in Basel's narrow back alley known as the Gerbergässlein felt like the belly of a living furnace. The air was thick, dry, and mercilessly hot, carrying the sharp bite of sulfur, the metallic taste of heated lead, and an underlying bitterness like scorched bone. Lanterns flickered weakly against the fierce orange glow spilling from the central reverberatory furnace, its brick mouth roaring with controlled fury. Heinrich von Paracelsus stood before it in his crimson robes, sweat glistening on his brow and tracing lines down his bearded cheeks. His eyes burned with the same intensity as the coals.

“Calcination, my dear young man,” Heinrich began, his voice low and fervent, almost reverent, “is the first and most sacred fire of the Great Work. It is the deliberate destruction of the false self. Just as we burn away the dross of base metals, so must the ego — the rigid, proud, illusory identity we cling to — be reduced to ashes. Only then can the true essence emerge, purified and ready for higher stages of the soul's ascent.”

He selected a dull, heavy ingot of lead and placed it with ceremonial care into a wide clay crucible reinforced with lute and wire. The metal clinked coldly against the vessel, a final protest before its ordeal. Heinrich added measured portions of antimony — black, glittering fragments that looked like shattered glass — and a pinch of calcined tartar that released a faint, acrid puff of white dust into the sweltering air. “Antimony is the examiner,” he explained, pumping the leather bellows himself. Each powerful stroke sent a roaring blast into the furnace, causing the coals to flare bright orange and spit sparks that danced upward like damned souls.

The lead surrendered almost at once. It softened, slumped, and melted into a trembling silver pool that reflected the hellish glare of the furnace. Acrid vapors rose in lazy, poisonous coils — sharp, serpent-like, and metallic — clawing at Chrysostom's throat and eyes. The heat pressed against his face like an open oven door, drying his lips and drawing fresh beads of sweat down his temples and neck. He blinked hard against the stinging smoke but did not retreat.

Heinrich chanted softly in a rhythmic blend of Latin and German, invoking the destruction of the false body and the liberation of the hidden salt within. “This is the nigredo [3],” he murmured as the molten lead began to crust and blacken at the edges, its surface wrinkling and bubbling like boiling pitch. The smell grew thicker, more choking — a blend of hot iron, burned hair, and something indefinably corrupt. The mass darkened from bright silver to dull gray, then to a charred, porous cake that cracked and split under the relentless fire.

Hours passed in the sweltering chamber. The apprentice took over the bellows, his arms gleaming with sweat, each stroke producing a deep whoosh that made the flames roar louder. Heinrich adjusted the crucible with long iron tongs, the metal glowing cherry-red at the tips. “Feel the inner turmoil this represents,” he said, Turning to Chrysostom. “The ego fights. It resists. It clings to its old shape even as the purifying fire consumes it. This is the existential crisis — the chaos where outdated beliefs, false pride, and material attachments are burned away.”

Gradually, the lead was reduced to its most fundamental form. The once-solid ingot became a brittle, lightweight cake of oxides and residues. When Heinrich finally withdrew the crucible and set it on a bed of cool sand, the vessel ticked and pinged as it contracted. He tapped the contents with a pestle. The charred mass crumbled easily into a fine, dull grey-black powder that rose in a soft, ashen cloud. The final scent was dry and earthy, like cold ashes from a funeral pyre mixed with faint mineral sharpness — lifeless, yet strangely clean.

Heinrich lifted a pinch of the calcined powder on the blade of a knife. It caught the lantern light dully, inert and reduced to its essential salt. “See?” he whispered, his voice now intimate and intense. “Your false self has been destroyed. The rigid structures that once defined your soul have been burned to nothing. This is purification through fire — the necessary death that clears the path for spiritual awakening. From these ashes, your true essence can begin to rise. The ego is gone. Only the purified salt remains, ready for the next stage of transformation.”

Chrysostom stared at the gray powder, feeling the weight of the demonstration settle over him. The heat still pressed against his skin, the acrid smell still lingered in his nostrils, and the memory of the roaring flames still echoed in his ears. Heinrich smiled knowingly, the firelight dancing in his eyes.

"This, Lord Tarnowski, is calcination — not merely of lead, but of the human spirit. The burning away of illusion. The destruction of what we thought we were, so that what we truly are may finally be revealed. Will you not walk further with me on this path of inner fire?"

The furnace continued to breathe softly behind them, its coals crackling, while the powdered ashes lay between the two men — silent witness to both the alchemical operation and the deeper, spiritual reckoning it was meant to symbolize.

*

Paracelsus also tried to impress Chrysostom of the cures available with iatrochemistry. Here is what happened:

The private chamber adjacent to the Great Laboratory smelled sharply of distilled herbs, heated metals, and the faint, sickly-sweet rot of illness. A middle-aged nobleman — Baron von Kleist, a minor courtier who had fallen gravely ill after weeks of fever and swelling in his limbs — lay propped on a narrow bed, his face pale and glistening with sweat, his breathing labored and shallow. Chrysostom Tarnowski stood near the doorway, arms folded tightly across his chest, watching with a mixture of a youthful desire to learn, and deep unease.

Heinrich von Paracelsus moved with confident, almost theatrical energy. His crimson sleeves were rolled back to the elbows, revealing forearms marked with old chemical burns. On a small table beside the patient he had arranged an array of glass vials, a brass mortar and pestle, and a small spirit lamp that cast a blue-white flame. “Iatrochemistry, young lord,” Heinrich announced without looking up, “teaches us that the same substances which poison the body in excess can heal it when properly prepared and dosed. Disease is nothing but an imbalance of the three principles — sulfur, mercury, and salt. We correct it not with useless herbs and prayers alone, but with the refined essences of nature's own poisons.”

He selected a small vial of metallic mercury and another containing a carefully prepared antimony compound. With deliberate care, Heinrich ground a minute quantity of each together with a measure of distilled wine spirit and a pinch of saffron in the mortar. The pestle scraped rhythmically against the brass, producing a soft, gritty sound that filled the quiet room. A faint, acrid vapor rose from the mixture — sharp, metallic, and faintly garlicky — making Chrysostom's eyes water slightly. The baron moaned weakly, his swollen hands twitching on the blanket.

“This preparation,” Heinrich explained as he worked, “is a calibrated purgative and corrective. Mercury drives out the hidden corruptions that lodge in the blood and humors, while antimony acts as a powerful evacuant to cleanse the stomach and bowlels of the poisonous matter causing the fever. In proper measure, these are not poisons but medicines — arcana that restore the body's proper chemical harmony.” He heated the mixture gently over the spirit lamp until it dissolved into a cloudy, silvery liquid, then strained it through a fine cloth into a small crystal cup. The final elixir had an oily sheen and gave off a faint, unpleasant metallic odor that lingered in the warm air.

Heinrich lifted the baron's head with surprising gentleness and brought the cup to the man's lips. “Drink slowly, my lord. This will draw the sickness forth.” The baron swallowed with difficulty, grimacing at the bitter, metallic taste that made him gag once before forcing the rest down. Almost immediately his body reacted. A violent shudder ran through him. His breathing was harsher, and sweat poured more freely down his face and neck. Heinrich watched intently, nodding with satisfaction as the patient began to retch and vomit into a basin held by an assistant. The expelled matter was dark and foul-smelling, streaked with unnatural colors.

“See?” Heinrich said, Turning to Chrysostom with gleaming eyes. "The mercury and antimony are already at work, purging the corrupt humors and restoring the proper balance of salt. In a day or two the swelling will subside, the fever will break, and the baron will rise renewed. This is the true medicine of the new age — chemical, precise, and fearless of what lesser physicians call poison."

Chrysostom remained silent, its gas fixed on the baron's trembling form and the residue of the elixir still clinging to the crystal cup. The sharp chemical reek still hung heavy in the chamber, mingling with the sour smell of vomit and the underlying stench of prolonged illness.

Heinrich wiped his hands on a cloth and smiled confidently. “Fear not, my lord. Where others see only danger, I see the divine arcana hidden within the venom. With iatrochemistry we do not merely treat symptoms — we transmute sickness itself into health.”

The baron groaned again on the bed, his body still convulsing under the powerful effects of the dose, while the spirit lamp continued to burn with its cold, steady blue flame.

*

Later Chrysostom learned that the baron had died. This began the period of doubt. The lord of Tarnów began to be more and more skeptical as to how his money was being spent.

The climax came in the second half of 1553. Heinrich staged what he called the final transmutation. The result appeared spectacular — glittering “gold” produced before witnesses. Chrysostom, wanting to be convinced that this was a “godly science”, but still Reformed in his desire for religious truth, gave Paracelsus the last of his “borrowed” state funds and even mortgaged portions of the Tarnowski estate.

Then the fraud collapsed. The “gold” proved a clever admixture — mostly lead with a thin veneer and hidden sleights of hand — echoing the very deceptions the historical Paracelsus had sometimes been accused of by critics. Heinrich vanished from Basel amid the scandal, leaving Chrysostom ruined, humiliated, and deeply in debt. Creditors descended; only distant Melsztyński kin and discreet assistance from Kraków's Jewish banking networks prevented total loss of the family lands. But the loss of the government funds was still a loss.

*

Chrysostom left Basel December 18, 1553 at age 23, a changed and sobered man. The experience burned away his youthful credulity. He returned to Poland carrying three lasting burdens: a private vow never again to trust alchemical and iatrochemical promises that contradicted honest accounting and natural order, a debt that he had to pay to the Polish treasury secretly, and a scar of shame that he buried even from his own family. He threw himself into restoring the estate through prudent management, prayer, and traditional service to the Commonwealth — until the events of 1573 dragged the same shadow back into his life.

*

Heinrich, meanwhile, resurfaced years later under the same or similar names in other courts, his methods refined, his claims grander, and his ability to cloak fraud in the language of Reformation piety and royal ambition undiminished.

[1] A magnate in Poland in 1573 was a member of the higher nobility, part of the aristocracy that held significant political power and wealth within the Polish-Lithuanian Commonwealth. They were influential landowners, owning enormous areas of Poland/Lithuania, who often participated in the governance of the state and could even be elected as kings.

[2] The Libertine party in Geneva was a faction that opposed John Calvin’s strict religious reforms and governance during the 16th century. Led by figures like Ami Perrin, the Libertines challenged Calvin’s authority and promote more liberal social practices, ultimately leading to significant political conflict in the city.

[3] Nigredo means blackness and refers to the first stage of alchemy, symbolizing putrefaction or decomposition. In psychological terms, it represents a period of deep inner struggle and confrontation with one’s shadow self.

Chapter 1: The Treasurer's Burden

Tarnowski Estate, Tarnów

Autumn 1573

Dawn

Chrysostom Tarnowski sat alone in his ledger room, a chamber in the old manor that smelled of old leather bindings, parchment and ink. A single tallow candle fought the gray light seeing through the crown glass windows. Outside, the first frost silvered the orchards; inside, the heavy oak table was covered with open account books.

He turned another page, quill hovering. The figures were stubborn, as always. Rents from the western villages Gosławice, Ostrów, Bogumiłowice and Sieciechowice had not arrived again. The mill on the Biała River needed a new stone. Two more serfs had run to the city, lured by rumors of gold that he knew would turn to ash in their hands. Chrysostom's eyes ached. At forty-three, his body remembered every year of striving to rebuild what had been lost in 1553.

His gaze drifted to the small iron-bound chest half-hidden on a sideboard. He had not opened it in years. Inside lay a few yellowed sheets, a crucible, and a single gold coin that was not gold. Coins like this had cost him nearly everything.

He reached for it anyway. The metal felt cold, harder than it should. Twenty years ago in Basel, a Swiss alchemist named Konrad Müller had promised the same impossible shine. Chrysostom, then a 23-year-old noble flush with ambition and new heir of the family estate at Tarnów , had poured family silver, then family land, then family honor into the furnace. When the final “transmutation” proved to be nothing more than gilded lead and sleight of hand, the creditors descended on him like crows. Only the intervention of distant kin — the Melsztyńskis — and a humiliating loan from Kraków's Jewish bankers had saved the estate from seizure. Müller had vanished into the night, leaving Chrysostom with a scar on his soul and a vow never again to trust what glittered beyond God's natural order.

A soft knock interrupted the reverie.

“ Mosci Panie,” came the steward[1] „s voice, low and urgent. “A rider from the Cardinal. He says the matter cannot wait.”

Chrysostom closed the chest and rose. “Bring him to the hall.”

The messenger was young, mud-spattered from hard riding, and clearly frightened. He bowed deeply, then handed over a sealed packet bearing the Radziwiłł arms .

“My lord Cardinal bids you read this at once, and alone.”

Jerzy Cardinal Radziwiłł was the leader of the Catholic Counter-Reformation . He was short but imposing, with the robust build of the Radziwiłł family. Aged 29 in 1573, exceptionally young for a Cardinal. He had sharp black eyes under heavy brows, giving him a perpetually stern expression. He was clean-shaven, against Polish noble fashion but following Roman church custom. He carried himself with a military bearing despite his clerical office. He had a clear, commanding voice trained in both Latin oratory and military command. He alternated between cardinal's red taffeta and ornate noble's clothing, depending on the situation. His distinctive aquiline nose marked him as a Radziwiłł. He always wears a gold ring bearing both his cardinal's seal and family crest.

Chrysostom broke the seal. The first letter was brief, written in Jerzy cardinal Radziwiłł's precise hand:

"The treasury bleeds. His Majesty's new counselors have convinced him that lead may become gold by art and Calvinistic prayer. The realm's credit frays. I fear worse. Come if you can still serve the Commonwealth."

The second letter was longer, a catalog of expenditures that made Chrysostom's stomach tighten: furnaces built in the throne room, mercury and antimony by the barrel, salaries for foreign adepts, [2]“philosophical” instruments whose names meant nothing to honest bookkeeping. And at the bottom, in red ink: The King's own Privy Purse is nearly exhausted. Catholic bankers in Gdańsk and Lwow already murmur of calling in loans.

He read it twice, then looked up. “Is there more?”

The messenger swallowed. “Only that His Eminence rides here himself before noon. He begs you not to refuse before you hear him.”

Chrysostom dismissed the man and stood at the window. The sun had cleared the treeline now, painting the fields in weak gold. Gold that didn't lie.

Footsteps on the stair announced his son.

Jan Tarnowski entered without knocking, cloak still smelling from whatever den he had haunted the night before. At twenty-four he was tall and handsome in the reckless way that made serving maids blush and creditors pale. His eyes, however, were bloodshot, and the smell of the steel-wine-air of the tavern clung to him.

“ Tata ,” he said, attempting a careless smile. “The steward says we have important visitors. Shall I order the best wine or the sour?”

Chrysostom studied his only son. The gambling debts had arrived by letter three days earlier — another two hundred florins owed to a Kraków usurer who did not care whose blood he squeezed. The figure was modest by court standards, ruinous for an estate still recovering from its master's old folly.

“Sit,” Chrysostom said quietly.

Jan obeyed, but his fingers drummed the table. “If it's about the debts —”

“It's not only about the debts.”

Before he could continue, the sound of many hooves echoed from the courtyard. Cardinal Jerzy Radziwiłł had arrived sooner than expected, flanked by a small retinue of priests and armed retainers. The Cardinal was a formidable man beneath his scarlet robes, his face lined by navigating the dangerous currents between Rome, the Habsburgs, and the restless nobility.

Chrysostom met him at the door. They exchanged the briefest of courtesies before Chrysostom drew him into a private salon.

“I will not waste breath on ceremony,” the Cardinal said, voice low. “Sigismund Augustus is bewitched. Not by a woman this time, but by a German Swiss calling himself Heinrich von Paracelsus. The man claims descent from the famous Swiss physician, but I doubt it. He has filled the King's ear with visions of an alchemical realm richer than any in Christendom. Furnaces burn night and day. The treasury is hemorrhaging silver to buy quicksilver and God knows what else. Creditors grow restless. If this continues, the Commonwealth will face bankruptcy before Christmas.”

Chrysostom felt the old weight settle on his chest. “And you wish me to become Royal Treasurer.”

“I do. The post is vacant — conveniently, some say. You are known for honesty and for having learned, at great cost, the lies of the alchemists. The King still respects your name, or at least the memory of your father Jan Amor's service as castellan of Kraków. Accept, and you may yet staunch the wound.”

Chrysostom was silent a long moment. “My son's debts alone would raise many questions about my fitness.”

Radziwiłł's gaze sharpened. “Then bring the boy with you. Let him learn under your eye instead of in the grog-shops. The realm needs you, Chrysostom. And perhaps you need the realm.”

The Cardinal extracted a promise to consider the offer by midnight.

“In that case you will need to retire to apartments, you and all your retinue”, Chrysostom said.

After he had taken care of their comfort, he withdrew to the chapel where he prayed, “Holy spirit, guide me. Shall I decide 'yes'?” He sat in silence for an hour, and at the end said to himself, “The country needs me. I'll take the position.” From there he went to the cardinal's room and knocked.

“You have your man”, he said. The cardinal went to a writing desk and wrote a letter of safe passage, to be shown to the king and anyone needing to be informed that this was the new treasurer.

“Thank you for wanting to save your country”, the prelate said, then, “If you will excuse me, we now must hasten back to Wawel.”

Chrysostom watched the retinue ride away, scarlet cloak billowing against the autumn trees.

*

He found Jan in the stables, currying a horse.

“Walk with me,” Chrysostom said.

They took the path through the apple orchard, leaves crunching underfoot. The air had turned colder.

“I was twenty-three when I met the Swiss,” Chrysostom began without preamble. “He was persuasive. He showed me gold produced before my eyes. I believed because I wanted to believe — wanted the Tarnowski name to rise higher, faster. I mortgaged everything. When the fraud collapsed, I nearly lost the estate. Money from one of the three branches of our family — the Melsztyńskis — saved us, and the mercy of a few good men. I swore then that no Tarnowski would ever chase that false light again.” He said nothing about needing to sneak in money to the realm's treasury.

Jan stopped walking. “You never told me this.”

“I hoped you would never need to know. But the same shadow now falls across the kingdom. The Cardinal has offered me the treasurer position. I have accepted, and you will come with me to Wawel. No more gambling houses. No more excuses. You will serve, or you will watch this family fall a second time.”

Jan's face flushed with anger and shame. “I am not a child to be dragged by the ear!”

“No,” Chrysostom said heavily. “You are a man making the same mistakes I once made. The difference is, I survived to regret and redress them. You may not have that chance if the realm itself collapses and we fall to the Habsburgs.”

The confrontation stretched into the afternoon — sharp words, old grievances, the sting of truth. By evening Jan had withdrawn to his rooms in sullen silence, but he had not refused outright.

Chrysostom ate alone, then again retired to the small chapel his ancestor Spycimir Leliwita, had built. Candles flickered before the Virgin and the saints. He knelt on the cold stone and prayed for wisdom, for strength, for the soul of a king who seemed determined to turn his own people to beggary in pursuit of an avaricious dream.

Evening found him at the desk again, quill moving consistently. He drafted careful notes to himself: immediate audit of the treasury upon his arrival at Wawel, an inventory of all alchemical expenditures, discreet inquiries into Heinrich von Paracelsus. He wrote to the Jewish banker Rabbi Solomon in Kazimierz who had once helped him, hinting at future need, at the same time dispelling worries about committing treason in that help. Rescue plans for both his family and kingdom began to take shape in neat columns.

When the first gray light of the next dawn touched the windows, Chrysostom rose. His back and knees ached, but his mind was clearer than it had been in years.

He found Jan already in the courtyard, cloak fastened, saddlebags packed. The young man's face was pale but set.

“I will go,” Jan said. “Not because I fear your anger, but because I fear becoming you.”

Chrysostom nodded once. “That is enough for now.”

They mounted. The steward and a handful of trusted servants watched in silence as father and son rode out along the road to Kraków, the rising sun at their backs and the weight of a troubled kingdom ahead waiting.

Behind them, the Tarnowski estate stood quiet under the autumn sky, its ledgers closed for the moment, its hidden chest of memories locked once more.

But the burden had already begun.

[1] An archaicism. Mode of address of a servant or lesser person to a member of the gentry.

[2] An individual who has attained a specific level of knowledge and skill in alchemy or other occult disciplines, often distinguished by his enhanced abilities and spiritual development. The term originates from the Latin word „adeptus,” meaning „one who has attained” knowledge in these esoteric practices.

Chapter 2: A Changed Court

Wawel Castle, Krakow

Late Autumn 1573

Late morning

The road from the Tarnowski estate had been muddy and slow, but as Chrysostom and Jan crested the final rise, Wawel Castle rose before them like a fever dream. The ancient seat of Polish kings, once a bastion of Catholic solemnity, now wore strange new garments. Banners that should have shown the white eagle of the Jagiellons fluttered instead with unfamiliar symbols — intertwined serpents, geometric sigils, and alchemical suns. Where statues of saints had stood in niches along the outer walls, new plaques bore Latin phrases praising the “Great Work” and the “Philosopher's Mercury.” Even the air felt different: sharp with the metallic aroma of heated metals and something acrid that caught in the nostrils.

Chrysostom reined in his horse for a moment, studying the transformation. Jan shifted uneasily in his saddle beside him.

“They've been busy,” the younger man muttered.

“Too busy,” Chrysostom replied quietly. He dares his mount forward through the main gate, where guards in mismatched livery — half royal, half something occult — waved them through after a perfunctory check of the Cardinal's letter of introduction.

Inside the castle precincts the change was even more pronounced. Courtiers no longer crossed themselves passing the chapel door; instead, small groups huddled around braziers where strange vapors rose. Servants carried crates stamped with obscure runes rather than grain or wine. The very stones of the courtyard seemed stained with residues from spilled elixirs.

They were met in the outer bailey by a minor official whose robes were embroidered with astrological signs. “Lord Tarnowski,” the man said with a thin smile, “His Majesty expects you in the treasury offices at your earliest convenience. But first, perhaps you would care to see how the court has… evolved.”

Chrysostom declined the tour with polite firmness and requested immediate access to the financial records. “'My earliest convenience' will have to wait to see what is up”, he told himself. The official's smile faltered only slightly before leading them through winding corridors to the former administrative wing.

The treasury offices had once been models of order: rows of desks, iron strongboxes, and ledgers bound in plain leather. Now the room presented a cross between a scholar's chaotic study and a mad apothecary's shop. Shelves that should have held tally sticks and sealed contracts were crammed with thick tomes bearing titles like De Alchemia and The Triumphal Chariot of Antimony . Glass retorts and alembics cluttered the tables. Where coin scales had stood, delicate balances now weighed powders of unknown provenance. Most damning, the great ledgers — the heart of the kingdom's accounts — lay open to recent pages filled not with columns of debits and credits, but with cryptic symbols, planetary hours, and notations of “successful calcinations of lesser and greater nobles” and “multiplications [1]achieved.”

[1] Multiplication was associated with the reproduction of physical gold and silver.

Koniec darmowego fragmentu książki.

Zachęcamy do zakupu pełnej wersji.